OTTO, C. U. F., Stockholm, fifth son of Jacob August. Died 1884.
OTTO, Ludwig, St. Petersburg, son of Georg August. Born at Cologne; died 1887.
OTTO, Louis, Dusseldorf, son of Carl, now living.
OTTO, Hermann, St. Petersburg, son of Ludwig. Died 1884.
PARTH, Andreas Nicholas, Vienna, 18th century.
PFRETZSCHNER, Johann Gottlob, Cremona, 1750. Very commonplace.
PFRETZSCHNER, Carl Friedrich, Cremona, son of the preceding; no merit.
PLACK, F., Schoenbock, 1730-45.
POSSEN, L., Schoengau, Bavaria, about 1553. Maker of Viols and Lutes.
RAUCH, ——, Wurtzburg.
RAUCH, Jacob, Manheim, 1720-50. Brother of the above. Court Violin-maker.
RAUCH, Sebastian, Hamburg, 1725. High model, rough workmanship. A maker of this name is said to have worked at Leitmeritz, Bohemia, about 1750. Possibly the same.
RAUCH, ——, Breslau, about 1750.
REICHEL, Johann Gottfried, Absam, 18th century.
REICHEL, Johann Conrad, Neukirchen, 18th century.
REICHERS, August, Berlin, 19th century. Pupil of Bausch of Leipsic.
RIESS, ——, Bamberg, about 1750.
RÖSCHER, C. H. W., Bremen, about 1871.
ROTH, Christian, Augsburg, 17th century.
RUPPERT, Franz, Erfurt, 18th century.
RUPPERT, J. N., Erfurt, 1719-28.
SAINPRAE, Jacques, Berlin, 17th century. A Baryton Viol of this maker is among the musical instruments at the Kensington Museum. It is said to have belonged to Johann Quantz, the famous flute-player.2 The Baryton was a favourite instrument with Haydn. He composed several pieces for the instrument, and was fond of playing it. The Baryton, or Viol di Bordone, is of the character of the Viole d'Amour, being strung with sympathetic metal strings. It is, however, a large and more complicated instrument.
2 The flute-playing of Johann Joachim Quantz in 1728 gave so much pleasure to the Crown Prince of Prussia, afterwards Frederick the Great, that he decided to take lessons from Quantz, who was then in the service of Augustus, Elector of Saxony and King of Poland. Quantz was stationed alternately in Dresden and Warsaw. He became a member of the orchestra of Augustus in